Wednesday, 22 April 2015

OUGD603 / Extended Practice - PART 2 Design Publication: Sustainable packaging definition.

OUGD603.
DESIGN PUBLICATION. 
SUSTAINABLE PACKAGING DEFINITION.


I found the article below really useful as it spoke more about the production side of considerations, ensuring that as designers we are considering how our designs will be produced once they leave us. I had done a lot of research into sustainable branding and its relationship with consumers for my dissertation, however this focused more on the aesthetics of design rather than the production stages. I often found that the discoveries I made whilst writing my dissertation were evidenced through out the article and related to production. I also found a useful and simple criteria within the article that sustainable packaging design should be compared to for thorough consideration. 

ARTICLE






A vision for sustainable packaging:

The Sustainable Packaging Coalition® (SPC), a project of GreenBlue® , envisions a world where all packaging is sourced responsibly, designed to be effective and safe throughout its life cycle, meets market criteria for performance and cost, is made entirely using renewable energy, and once used, is recycled efficiently to provide a valuable resource for subsequent generations. In summary: a true a closed loop system for all packaging materials



Criteria for sustainable packaging:

A. Is beneficial, safe & healthy for individuals and communities throughout its life cycle 
B. Meets market criteria for performance and cost 
C. Is sourced, manufactured, transported, and recycled using renewable energy 
D. Optimizes the use of renewable or recycled source materials 
E. Is manufactured using clean production technologies and best practices 
F. Is made from materials healthy throughout the life cycle 
G. Is physically designed to optimize materials and energy 
H. Is effectively recovered and utilised in biological and/or industrial closed loop cycles 


The use of recycled or bio-based and renewable materials from well-managed sources can contribute to sustainable material flows and help ensure the availability of materials for future generations.


In addition to “profitability” the other two pillars of sustainability—social equity and the environment—are growing areas of corporate focus. 



Sustainable packaging design considers the full life cycle of the package, recognizes the principle of Shared Product Responsibility,5 and consequently seeks to minimize the total packaging system cost through efficient and safe package life cycle design. 



Relevance to packaging:

Packaging allows marketing and product differentiation and educates and informs the consumer. At the same time, the procurement, production, transport, and disposal of packaging can have negative consequences for both the environment and societies around the globe. The SPC believes that through intelligent packaging and system design, it is possible to “design out” the potential negative impact of packaging on the environment and societies. 



Made from materials healthy through out the life cycle:

Packaging may use or contain certain chemicals that result in the unintended release of harmful substances during the life cycle of the package. While these chemicals are typically utilized in small amounts, the scale and quantity of packaging and associated wastes can render them significant. Ensuring all ingredients—including additives, inks, adhesives, and coatings—are safe for human and environmental health throughout their life cycle is a vital aspect of sustainable packaging design. 


Physically designed to optimize materials and energy:

Typically a company designs packaging to meet critical cost, performance, marketing, and regulatory requirements. Sustainable design for packaging starts with informed material selection, a clear understanding of performance requirements, and adds consideration of life cycle impacts. These include: energy use over the life of the package, impact of materials in all end-of-life scenarios, and appropriateness of the package design to facilitate material recovery. Other factors that should be considered in the design phase are consumer behavior and the variation of established recovery systems by market. 







OUGD603/ Extended Practice - PART 2 Design Publication: Images of luxury packaging that conform to research.

OUGD603.
DESIGN PUBLICATION. 
LUXURY PACKAGING IMAGES.


BEEloved Honey - Unique and strong shape.
Designed by: Tamara Mihajlovic
Featured on: packagingoftheworld.com


'Simple, clean, yet effective packaging design has been achieved by refracted form that draws its inspiration from nature. The structure resembles a piece of rock rolled away (detached piece of rock), raw gemstone, diamond and hexagon shape - the honeycomb.' 




LEDAIG Whiskey - Story and Texture. 
Designed by: 999 Design
Featured on: lovelypackage.com


'When Burn Stewart Distillers introduced a new Sherry Cask Finish to their Ledaig range they briefed us to reposition the brand as a premium product through distinctive label design and to distinguish the classic, 7 year old and Sherry Cask Finish with a clear colour hierarchy.

Our approach was to refresh the range highlighting Ledaig’s unique location on the island of Mull. Attention to details was key to creating a look that was premium and understated with a rich, but rustic colour palette, remaining true to the brand’s roots. A bespoke woodcut illustrated map was commissioned which was then blind embossed and varnished on to the pack along with the crafted Ledaig logotype.'






Naked Artisan Water - Texture. 
Designed by: Agency: Badgerhammer Label Designer: Nick Gripton Bottle Designer: Thomas Flinn
Featured on: packagingoftheworld.com


naked. Luxury Artesian Water is from the Bay of Plenty in NZ. It's super-soft with the silkiest mouth feel and drinking experience. It's simple yet gorgeous. The brief was to design a bottle than delivered a ultra premium feel and had texture. It's naked embossed bottle with Braille is unique and provide a great hand feel. Made from PET - it has a glass look and feel. 






Nocturnal candle - Restraint / Design & Colour.  
Designed by: Elizabeth Novianti Susanto
Featured on: packagingoftheworld.com


Nocturna is an Australian luxury lifestyle brand sourcing the finest, cruelty free ingredients. Nocturna is inspired by the beauty of nature and the mystery of night. Our candles feature luminous glass filled with our eco friendly coconut and soy wax blend, laced with hypnotic perfumes enhanced with the rustic sound of a wooden wick. Transform your room or living space into a distant, faraway place, a mystic realm; what does your imagination conjure? - Illuminate your subconscious






Rudolf Care - Sustainable and Luxury.  
Designed by: N/A
Featured on: lovelypackage.com


This is a packaging series for Danish beauty product line Rudolph Care. Rudolph Care is certified organic sustainable luxury, the first ever to carry the Danish Swan certificate as well as the French EcoCert certificate togther. All materials used for the packaging are Swan and EcoCert certified and all printing processes are certified.”








St Tropez Wine - Finishing 
Designed by: N/A
Featured on: lovelypackage.com 



This foil blocked wine label was designed as a nod to the luxury and festive atmosphere of Saint Tropez.







Beckett Beccari - Finishing / My interpretation.
Designed by: Sarah Goldthorpe
Featured on: www.ownwebsite.com





MAC  x  Alice in Wonderland - My interpretation. 
Designed by: Sarah Goldthorpe
Featured on: www.ownwebsite.com








OUGD603 / Extended Practice - PART 2 Design Publication: New over arching concept.

OUGD603.
DESIGN PUBLICATION. 

NEW OVERARCHING CONCEPT. 


Today I spoke with a group of peers from my course about the theme of the design publication, and in this discussed I mentioned the concept for mine. However when talking to my course mates they informed me that I should be so specific with my research topic and instead widen the concept, using the research I have already done to create a sub category. 

I was planning previously to look at how luxury packaging briefs/projects should be approached, presenting this in a methodology like form that could be used to approach different types of packaging projects. 

Therefore I should use the methodology that I use, to gather information and present this in a publication, concluding in a refined methodology for how to approach different packaging projects. 

I have already looked into luxury packaging which can act as a sub section to my publication, however I also want and need to look into other different types of packaging to inform my practice. 

Other types of packaging that I might be asked to be involved with are:

- Sustainable packaging. 
- Budget / affordable packaging. 

I will research into the considerations and how to's of creating sustainable and budget packaging using my same methodology as used to research into luxury packaging. 

Separation then integration.

I found that when thinking about my process, I separate the brief into two sections which I can research into, function and form. 

Function:

- Audience.
- Culture. 
- Clients needs. 
- Context.
- Purpose of product. (Uses)


With results from research pick strongest theme/s. put these against the following form elements:

Form:

- Colour. 
- Tone of voice. 
- Ergonomics.

Pick strongest combination / idea wanted to work with. 

Look at:

- Precedents.
- Production.  


Rewrite brief regarding:
Theme + form + Production = design.

Refer design and development back to the first list and brief. 

Client interaction / opinions.

Make amendments if necessary - Prototypes. 


Client interaction / opinions.

Final piece.


Sunday, 12 April 2015

OUGD603 / Extended Practice - PART 2 Design Publication: Sustainability and Luxury Packaging.

OUGD603. 
DESIGN PUBLICATION. 
SUSTAINABILITY AND LUXURY PACKAGING. 


How does sustainability challenge luxury packaging?

There is increasing public and industry pressure on luxury brand owners to reduce the environmental impact of packaging.

However, is there such a thing as responsible luxury, or does that defeat the point of products designed to be extravagant and superior?



Prestige brands and their customers are often more concerned about the look rather than the eco-friendliness of packaging. Customers’ expectations for luxury packaging are much different from the general market, with packaging seen as an important part of the product itself. From cosmetics to confectionary, the entire basis of these products is centred on multi-material packaging which contributes to the overall feeling of ‘luxury’. Therefore, much of this type of packaging includes metallised plastic, metallised glass and many other types of materials; which, while connoting quality and expense, are very difficult to recycle.


Responsible packaging means a whole host of new issues for the luxury packaging market, such as practicality, cost, material choice, aesthetics and maintaining brand image. Due to any one of these reasons, it has often been the case in the past that sustainable packaging solutions have been dropped halfway through the process.


International fashion brand Gucci, for example, launched 100% recyclable packaging with FSC (Forest Stewardship Council) Certified paper back in 2010. However, do customers really care about sustainability when purchasing luxury packaging? Is this move towards sustainability for the luxury sector a genuine move or a passing fad?

In addition to materials, companies are taking measures to make their entire manufacturing processes more eco-friendly. For example, Crown Cork state they are using fewer resources and using less energy when producing their items; ultimately, ‘doing more with less’. 
Manufacturers have therefore made an effort to reduce their environmental impact through the processes they employ, which is definitely a leap in the right direction.


What are the next steps?

Ways in which companies can continue to improve the eco-friendliness of packaging is to use fewer ink colours to achieve designs, and focus more on the properties of their board with regard to weight and whiteness levels. Bioplastics are being discussed by luxury brand owners, package designers and converters, but to date there are only a few examples of these materials being used for luxury packaging because of their relatively high cost.
Companies can also maximise the use of metal in their products. A current concern for the luxury packaging industry is that some brand owners are now increasingly replacing eco-friendly metal with plastic, particularly in the confectionary and spirits markets. This removes connotations of luxury and also compromises the environmental credentials of the product.
Meanwhile, metal’s low carbon footprint is derived from its high recyclability rate, and has the potential to be recycled an infinite number of times without molecular degradation or loss of structural integrity. Metal is the most commonly recycled of all household materials – almost three quarters of metal packaging is recycled in Europe.
According to Veronique Curulla, European marketing manager at Crown Specialty Packaging Europe, “Metal packaging, along with the various decorative techniques available, gives luxury brands the twin benefits of dazzling impact and environmentally-friendly appeal. It actually enables the two factors to work together – forming part of a consistent, high-quality brand image.”
While producing cosmetics products in metal tins, paperboard cartons or thin glass jars may be good for the environment, marketing to an industry centred around image, especially when it comes to luxury products and brands, requires careful handling. Manufacturers need to provide luxury packaging companies with packaging that looks as though it is contributing to the often enormous suggested retail price of the product, yet also has some environmental responsibilities.


What have I taken from this article?

- People shopping at luxury brands don't tend to care about the environmental impact of packaging, they are more concerned with aesthetic. 

- Packaging is seen as an important part of the product. 

- Packaging uses quality materials, that appear expensive but are very difficult to recycle. 

- Concerns within sustainable luxury packaging are practicality, cost, aesthetics and maintaining the brand image. 

- Attempts at sustainable packaging have been dropped by some luxury companies.

- Gucci have created 100% recyclable packaging. 

- Packaging not only needs to be more sustainable, but manufacturing processes need to evolve also. 

- Consider using metal as a material for luxury packaging as it can be continuously recycled. 

- Sustainable luxury requires careful handling, Manufacturers need to provide brands with evidence that metal packaging can contribute towards high end brands yet also have environmental benefits / responsibilities. 





OUGD603 / Extended Practice - PART 2 Design Publication: Consumer psychology 2.

OUGD603.
DESIGN PUBLICATION. 
CONSUMER PSYCOLOGY 2.

Unwrapping the luxury package. 

Luxury in Recession. 


“As in every category packaging plays a significant role but in the luxury sector it has a greater responsibility because you’re talking about premium products here, so there’s an expectation from consumers that the pack will look and feel exceptionally good,” says Bititsios. “As a result it’s not really a ‘nice to have’; it’s a ‘must have’ for this category.”

“The effects of the recession have been very interesting,” says Sinclair. “Some brands have looked to contain costs while others have looked to accelerate the pace of new launches and upgrade their packaging to create more impact with their customers. The packaging has had to work harder than ever to sell the product to hard-up consumers.”


 “I know it sounds contradictory and ironic, but consumers need to find comfort in brands that they trust so they will probably cut their spend on other things so that they can find the money to buy, or emotionally invest, in those premium brands because they make them feel comforted during those tough times.”


Two types of consumers.



Christina Repcheck, graphic designer at Sheridan&Co.
“Firstly you have the considered consumer. These are the individuals who want to be 100% certain of the purchase before parting with their money. They’re happy to research the products in advance so they’re fully clued up before heading into the store. For this type of consumer it’s about the customer experience from start to finish. They’re informed and there tends to be a level of brand loyalty among them. Packaging is inevitably important to them and they want it to reflect the quality they already know is on the inside.
“The second group is the swayed consumer,” continues Repcheck. “Ultimately they know the type of product they’re shopping for, but don’t make a final decision until they’re in store. They shop a book by its cover so for this consumer the quality of the packaging design can be a deal breaker.”

“Luxury brands spend millions building their brand image through all and every appropriate communication channel,” says Cannon. “They sponsor luxury events, they advertise in the glossiest magazines, they hold the most glamorous parties in the most dazzling locations. They tell you about the traditions, qualities and heritage of the brand and associate it with wonder and aspiration in highly creative ways. So when you, the innocent consumer, come into contact with the brand, its packaging, if designed correctly, ignites all these sub-conscious feelings and meaning so you are compelled to spontaneously buy – probably in the most considered way you have ever bought anything.”

“While the primary pack is seen and used by the consumer, in many cases it is an outer box that initially entices the buyer to choose the product,” explains Peach.
This is particularly the case when it comes to gifting occasions, he adds. “The secondary packaging can be the real reason for purchase with a top quality box, for instance, making a luxury good an attractive gift. Impressive packaging conveys the message that you care about the recipient making the way the product is presented especially important.”
And the reason these brands are prepared to spend so big on the packaging of their products is because they treat it like a “living ad,” says Levett. As a result, how it feels and behaves in store and in the consumer’s hand is vital. This means that the right graphics and structure is of paramount importance.

“If a brand stands for quality, but the packaging feels poor or ill-considered then this will do damage to the brand promise,” says Levett. “In that sense the packaging must reinforce the brand promise. As the packaging is often the first touchpoint it plays a vital role in confirming consumers’ opinions about a luxury brand and encouraging them to purchase. And once they have taken that product home it continues that task.”

The fact that rival luxury goods manufacturers are also significantly investing in their packaging means there is a constant pressure on brand owners to continuously push the boundaries of what’s possible and ensure that they create packaging that has the right look and feel of the brand’s identity, says Cuan O’Callaghan, sales manager at Leo Luxe, who is quick to point out that there isn’t a one rule fits all scenario when it comes to luxury packs.

“The key to getting it right is the precise execution in the end product,” he says. “Luxury packaging must achieve the look and feel that the brand and its consumers desire. And of course, eye-catching finishing techniques or the application of technology into packaging makes the consumer enquire and interact with the packaging increasing the likelihood of its effectiveness in the retail space.”
It’s a view shared by ButterflyCannon’s Natalie Alexander. “Packaging is a physical manifestation of what a luxury brand stands for and so this will dictate the required aesthetic be that opulent, minimalist or another approach,” she explains.
“All you must remember is that luxury brand packaging is about experience, not convenience. It’s not about being easy and so forgettable. It’s about being pleasurable and so memorable. Finishes, detailing and kinetics must all be part of the designer’s palette. There should be nothing fast moving about this consumer good. Consumers will want to take their time to enjoy.”

Sheridan&Co’s Repcheck
“Luxury has often been associated with embossing foil effects and varnishing. However, the wild success of brands, like Apple, have made the approach more acceptable. Brands are becoming more comfortable with lots of white space on a box and not including quite as much information on the packaging. Less is certainly more.”

Michael Sheridan, founder and chairman of Sheridan&Co, 
“Take gifting as an example, where we’re seeing the return of the layering trend from the 1980s started with brands such as Tiffany and Jo Malone,” says Sheridan. “Gift purchases are once again being wrapped in tissue paper, placed in gift boxes and tied with bows. Retailers are encouraging staff to spend more time with customers which in itself is a luxury. It’s about a renewed focus on the luxury of the whole in-store experience with packaging playing a pivotal role.

What I have taken away from this article:

- In every situation, even in events such as the recession well crafted packaging is a must have for luxury brands, more so - the packaging needs to work even harder to make a sale in a recession. 

- People will skimp on less luxury items to afford comfort from buying luxury ones. 

- There are two consumers, the considered consumer who knows what they want, and so packaging isn't as important and customer experience is. Those who come into the store with a decision still to make rely heavily on packaging. 

- Packaging needs to be an extension of the brand, and act as the energy that ignites the lightbulb regarding brand heritage and personality etc.

- When people are searching for gifts, often luxurious packaging will sway the purchase decision, as more luxurious packaging makes the gift appear more luxurious and gives the recipient the idea the sender has put in more effort. 

- Packaging is a living ad.

- If packaging is produced terribly it affects the image customers have of the brand. 

- Packaging is a physical representation of a brand and so it needs to echo this aesthetically, whether opulent or minimalist etc.

- Experience not convenience. Consider creating an experience through packaging, that makes unpacking the item just as enjoyable as using the item. 

- Less is more. The art of less is becoming more luxurious. 

- Layers and packages that look like gifts are coming into trends. The process of gift wrapping a purchase in front of a customer also echoes a special moment and ideas of luxury. 




OUGD603 / Extended Practice - PART 2 Design Publication: Raconteur Article & Benson Group.

OUGD603.
DESIGN PUBLICATION. 
RACONTEUR ARTICLE & BENSON GROUP.

RACONTEUR Luxury Packaging sets the pace.
November 2014.

Luxury brands have the biggest budgets, the most sophisticated consumers and the most ambitious designers. If an idea works here, it is just a matter of time before it filters down to the mid-market.

Alison Church, event director for easyFairs’ Luxury Packaging Exhibition, the UK’s only luxury packaging event.

“The packaging industry is constantly evolving. When I first started working on the show, sustainability was topping the agenda,” she says. “It’s still important, but a key driver behind innovation in the last year has been pack differentiation.

Shelf stand-out has always been paramount, but increasingly brands are looking at how to engage with their customers beyond the shelf, which has led to an increase in companies creating an experience around their product through their packaging, and linking closely with their social media and marketing strategies. As a result, packaging innovation to some extent is being driven by consumers who directly interact with brands to influence their decisions. In general, brands today are listening and initiatives such as personalised packaging are booming.”

Another trend is stripped back typography. Ms Ard says: “As consumers overwhelmed by product choices tune out loud signals, luxury brands are promoting packaging with pared-down typography, sparse layouts and short strings of numbers. Sophisticated monograms replace logos. This strategy appeals to consumers who value humble brand transparency and who choose products based on essential information.”

Unusual materials are playing an increasing role.
“When packaging uses the finest materials in this way, it assumes a visual language that conveys brand aspects such as quality, authenticity, heritage and sheer pleasure.”

Ostentation is out. Restrained, refined, unique and subtle are in. Naturally, the lower-tiered products will follow suit, meaning the luxury brands will soon need a new iteration. But for now, that’s the dominant ethos.



BENSON GROUP
what sets luxury packaging apart from the crowd?



The main elements of luxury packaging:


Tactile Quality -
The feel of the packaging is just as important as its appearance. Touch is the most effective way to communicate, it has the power to provide reassurance and comfort, so the tactile quality of packaging can completely transform how a brand is perceived. It has the power to create a desirable and premium feel. This extends from the materials used to its weight. Heavier packaging exudes a feeling of quality – this doesn’t mean your packaging should be excessive, but it should feel secure in the hands of the consumer. The use of different finishes, such as embossed textures, contrasting varnish effects, or even carton board that feels like suede are all options that help to convey a brand’s image of quality.
Anticipation -
The unveiling is part of the magic. Unwrapping a luxury item should feel like an event in itself. This is created through layers, and clever design. It is the pause between opening the box and seeing the item inside. Within food packaging this additional layer can be used to help keep the product fresh, and if it is designed carefully, it can add to the luxurious appearance of the packaging. The inside of the packaging is often just as important as the outside when it comes to the luxury end of the market. The user experience needs to feel quality from beginning to end. The use of printed patterns inside the packaging or even a short marketing message is a way to carry the user experience through to the finished product.
Quality Control-
In luxury packaging there is no room for error. So much as a bump or a scuff can completely eradicate any sense of sophistication a product once carried. Luxury packaging should be suitably resilient and reactive to the store environment so as to minimise any risk of damage. Uniformity is also key – unless you’re going for the personal touch look. Benson Group is committed to brand management and pioneered colour management in printed packaging. Benson Group was the world’s first packaging company to gain certification under the BPIF ISO12647-2 Scheme, and is certified by Print and Media Certification Ltd (PMC). By adhering to these guidelines, Benson Group can provide consistency across production runs, which helps reduces waste, ultimately reducing the company’s impact on the environment.
Responsible -
Consumers are socially aware – now more than ever. Although adding extra layers to packaging can heighten the anticipation aspect of a product, consumers may view it as excessive and environmentally unfriendly. A product that has both frivolity and environmental consideration in perfect harmony is “Naturally Clicquot” – a high end champagne brand with a conscience.  This version of their ever evolving packaging is 100% biodegradable, created from potato starch. Not only is it kind to the environment, it will also keep your champagne chilled for up to two hours; it even has a carry handle for easy transportation.

Dying trends and new starters in luxury packaging:


High gloss packaging –
 High gloss packaging was once the epitome of all things luxury. However this approach has been mimicked by high street brands, trying to break into the luxury market. The over saturation of high gloss packaging has devalued it, and luxury companies are looking for innovative pack finish solutions to set them apart from the crowd. Matte finishes are the next big thing in the luxury market. An extensive range of varnish effects from soft touch through to 3D pearlescent, can all add to the luxurious feel.

OTT designs – 
Consumers no longer wish to be barraged by mountains of information on a product and instead are moving towards a preference of clean minimalist design. Minimalism is nothing new; with Chanel pioneering clean design from the get go. Luxury consumers want their product to appear classic, elegant, with heritage. Minimalist packaging that sets an everyday meal item apart from the competition, “bringing farmer’s market quality to the supermarket shelves,” is the focus for the major UK retailers. Simple and clear design which suggests authenticity, with windows and apertures to view the product, also highlights the transparent truthful message they are aiming for.

Subtle sustainability – 
In an interview in 2008 an executive from Estee Lauder stated that sustainability was important, but only if it was executed with subtlety – the packaging should look the same as if it wasn’t sustainable. This is something that now may be a little outdated. Sure luxury consumers may not want recycling slogans plastered all over their products, but they do want to know that their product and its packaging are environmentally responsible. Luxury cosmetics brand, Kiehls, prides itself on its responsible and ethical products, quietly promoting its cause whilst still maintaining their classic heritage packaging. All of Kiehls packaging is created using eco-friendly, recycled or recyclable materials. By using recycled paper shred in their gift boxes, non-pvc laminated labels on all of their products, and 100% recycled board for their secondary packaging, Kiehls is ensuring that their packaging is kind to the environment, and still fits with their iconic, classic branding. Their packaging is minimal and lays everything out on the front of the product. It purposefully detaches itself from the frivolity often found in the beauty market. This resonates the Kiehls brand and product image that they have nothing to hide, suggesting that little has changed since their humble beginnings as a lone apothecary.  Kiehls also run a “be rewarded” programme which rewards customers for returning their empty bottles to a Kiehls store.  The bottles are then recycled through Terracycle.

What’s on the outside is more important than the inside – 
Consumers no longer want busy over the top luxury packaging with highly edited pictures of the product. They want to see what they are about to buy for themselves. This has caused a surge in popularity of transparent packaging – whether it’s a cleverly integrated window, the packaging cutting short to see a glimpse of what’s inside, or entirely transparent packaging – consumers want to see their product. This also helps to develop a feeling of honesty with the brand; consumers don’t want to feel like a company has something to hide. Customers care about where their product comes from, and if packaging can give them an insight to that then all the better. Brand such as Yeo Valley and Graze utilise the internal print space of their packaging to tell their story and continue the consumer experience.



Friday, 10 April 2015

OUGD603 / Extended Practice - PART 2 Design Publication: Up and coming Luxury Packaging trends.

OUGD603.
DESIGN PUBLICATION. 
UP AND COMING LUXURY PACKAGING TRENDS.


From the Dieline.
4 Emerging packaging trends of 2015.






Trend: Luxury Of Less

Luxury of Less is a trend that represents a new generation of luxury goods that are less reliant on established luxury brands names and ostentatious, flashy, over-design. In this post-recession era, a new wave of luxury branding is emerging, especially in Western cultures. I call this the Luxury of Less. In this new era, packaging design and luxury branding are being designed to whisper, rather than shout. The era where the overall brand experience is valued almost as much as the actual product itself. Often times, more. Although the economic climate has changed for luxury brands, there is still a strong need for their brands to express quality, heritage, provenance, and luxury values. Gone are the days of excess, over done, and unapproachable branding. This new wave is all about brands that are exude class, rather than flash. Subtle cues in the packaging are the most important aspect of the brand. It is a return to a well-crafted and well-considered notion of luxury. 
Trend Characteristics:
- Subtle, understated design cues
- Tactile textures
- Soft, understated color palettes
- Hand drawn icons, emblems, or graphic elements


EXAMPLES:


Novelty

Boutique Branding & Packaging
Novelty is the high-end fashion store version of a curiosity shop based in Monterrey, Mexico. that retails high-end, yet casual apparel to chic young women with a taste for fresh, modern, high fashion. Anagrama created the luxurious yet approachable branding, interior design, and packaging. It features simple watercolor illustrations, a soft pastel palette, and textural design elements.




Honor

New York-based RoAndCo Studio created the branding, collateral, and packaging for Honor, a high-end women’s fashion brand. The full-fledged luxury brand translates the nostalgia of an old-world atelier, into a line of clothing that’s wearable and visceral. The branding and packaging were created to be revenant to the contemporary woman. Honor expresses its’ luxury through a design that is minimal, understated, and well-crafted.







Trend: Ultra-Pure.

Ultra-Pure is a trend where brands are looking to create pure, stark, highly minimal stripped back brands, packaging systems, and brand environments. This trend is a reaction to growing consumer appreciation and desire for minimally designed brands and products. Ultra-Pure takes brand minimalism a step farther: It is the process or reducing a brand’s essence into the purest, simplest abstract form. It is the opposite of excess, it is the ultimate expression of brand purity. 
The brand is typically expressed through simple abstract shapes, usually representing some aspect of the product itself. It relies on an absence of branding: there are usually no traditional logos. Rather, brands following this trend typically use simple sans-serif style typography for both the brand’s logo and the packaging typography. Ultra-Pure is a bold brand statement, usually with monochromatic or dichromatic color schemes. 

Trend Characteristics: 
- Monochromatic or dichromatic, generally no more than 2-3 colors
- Straight forward and stark design
- No traditional logos, generally a minimal word mark
- Abstract, geometric shapes, patterns, or graphic elements


L’eandry 

Luxury Laundry Detergent Brand
L'eaundry is a new brand of luxury laundry detergent by The Deli Garage. German-
based Korefe, completed the concept and design execution for L'eaundry. L'eaundry has taken an everyday product and created a new product concept and packaging design that is inspired by high-end perfume. To express this, the packaging features an ultra minimal black and white color palate with simple abstract perfume bottle shapes. The L’eaundry logo is set in contrasting sans-serif type. 




The Basics

Specialized Skincare Line 
The Basics is a new line of extremely specialized products within the cosmetics and skincare industry, and was created to be an exercise in consumerism. The Basics produces 4 types of products which can effectively cover all skin care needs. Mousegraphics named the line “The Basics” to express this, and designed packaging featuring minimal black on white branding. The minimal abstract organic shapes were inspired by Space Invaders.